Why do I choose such difficult subjects to paint? - Hallo friendsCAPITAL STORIES FOR CHILDREN, In the article you read this time with the title Why do I choose such difficult subjects to paint?, We have prepared this article for you to read and retrieve information therein. Hopefully the contents of postings Article ADVENTURE, Article ANIMATION, Article LATEST DONGENG, Article WORLD OF ANIMALS, We write this you can understand. Alright, good read.

Title : Why do I choose such difficult subjects to paint?
link : Why do I choose such difficult subjects to paint?

Why do I choose such difficult subjects to paint?

[by Marion Rivolier from Paris, France]

As you now know, I really like to paint artworks because it is a way to better understand the architecture of a place. It is also a way to observe and analyze how the artwork plays (or not) with the place.
These three paintings were made in different places, but I used the same method to explore the artworks : the negative space. It is not the easy way! Without any preliminary drawing, you have to observe and to really think before beginning.
The first one is a sculpture "Waterbones" by Loris Cecchini in the Centquatre, a contemporary art center in Paris. It is composed of many individual bone-like elements. I began by drawing the spaces inside the bones, the negative space. I wanted to observe what happens in the empty spaces of the sculpture, how the orange of the brick or the darkness of the windows can reveal the lightness of the bones.
I don’t know if this painting is successful but creating it was really exciting!

For the second one, the challenge was to paint at night (and in the wind)! During the Event “la Nuit Blanche,” Parisian people could write some words on the quai de Seine. The technicians moved huge letters to compose the words. When I began, all letters were on the left and a few minutes later they were on the right! I really didn’t see which colors I was using, but I tried to reveal the whiteness of the letters with the darker part of the place.

In the last one, I was in front of the Grand Palais during the FIAC 2017. My subject was the crazy bench from Pablo Reinoso. With a limited palette (some colored grays and a kind of orange), I tried to reveal the movement of the curve lines of the bench. The hardest thing was to reveal people and architecture in the background inside the voids of the fore ground.
Painting difficult subjects helps me go past my comfort zone.

Thus Article Why do I choose such difficult subjects to paint?

That's an article Why do I choose such difficult subjects to paint? This time, hopefully can give benefits to all of you. well, see you in posting other articles.

You are now reading the article Why do I choose such difficult subjects to paint? with the link address https://capitalstories.blogspot.com/2017/11/why-do-i-choose-such-difficult-subjects.html

Tweet

Subscribe to receive free email updates: