Title : Finding Perspectives in Tuscany
link : Finding Perspectives in Tuscany
Finding Perspectives in Tuscany
Finding Perspectives in Tuscany
June, 28 - July 1, 2018
Join urban sketchers Blasco Pisapia and Umberto Torricelli for this 3 days workshop in Sansepolcro, in Southern Tuscany. It will be fun but hard work, as you will be enjoying learning and experimenting all the time, trying out different ways of drawing, painting, and… seeing (with a little help by Piero della Francesca!)
Sansepolcro is an ancient, beautiful village in the hearth of the Valtiberina, whose founding was due to Egidio and Arcadio, two pilgrims on their way back from Jerusalem in late X century. Although beholding some valuable architectures dating back to middle age, the town that will host our workshop is mostly renowned for being the birthplace of Piero della Francesca, outstanding renaissance painter, humanist, and one of the fathers of the modern science of perspective. Is there a better place to meet and draw architectural views?
We will spend a whole day in Arezzo, whose medieval streets retain all the charm of his prominent past, and whose monuments are enriched by the masterpieces of such great artists as Piero della Francesca, Andrea Della Robbia, Giorgio Vasari. We will take some time to linger (and sketch, of course) by the colorful Arezzo Antiques Fair, which takes place in the old town’s lanes. We will also visit nearby Anghiari, an ancient borough perched on a rock outcrop dominating the valley. It is said to be the the most beautiful village in Italy and - believe us - it is true!
Each of the two instructors will teach a different workshop.
The workshops will be held both in Italian and in English.
Workshop A: Bring some toons in your sketches (Blasco)
What do we keep a sketchbook for? Personally, I think that the gist of it is to record one’s experience, to take a quick note of the urban (and human) landscape during a trip or everyday life, to achieve a vivid representation not only of what one sees, but also of what one feels. I found a key to rapid, fluent, concise description by watching things as with the eyes of a caricaturist.
Our workshop will focus on portraying the streets and buildings of the wonderful Sansepolcro, Arezzo and Anghiari, in Southern Tuscany. We will look at single buildings and urban landscapes, trying to pin down their most remarkable elements and we will draw them exaggerating their features, in order to point out their true ‘character’, just as if we were making a caricature. This exercise of evaluation will force us to penetrate more deeply in the objects that we wish to portray, and will help us to understand more about them. Sketchbooks are made not only to host drawings, but to tell stories, as well. Every lane here has one to tell. We will try and steal words, sounds, tales from the people passing by.
Learning goals
- Gain experience in breaking objects down into simple shapes, in order to simplify, clarify and speed the drawing process.
- Learn to figure out the volume and structure of buildings for a concise representation.
- Learn how to exaggerate proportions and deform masses for a more effective characterization.
- Learn to force perspective lines and to choose appropriate camera angles to get a ‘toon’ effect.
Workshop B: Power Lines! (Umberto)
What happens before we start applying colours to our sketches?
This workshop will focus on line art.
Lines are our most basic tool, they have weight, length, width, tone, they describe contour, define forms, divide space.
We can use lines to add shadows, shades and tone to our drawings.
Line drawing gives a solid structure to our sketches so, let’s try to improve it!
In this workshop we will work on line drawing, going directly on the page, without using pencil & rubber, just a pen and clean lines, trying to acquire confidence and control in our line drawing.
John Berger wrote that the power of colour is nothing compared to the power of the line, and – even if you do not agree with this statement – in this workshop we will explore this power and how to get over the fear of the white page.
We will play with the amazing perspectives of the old narrow streets of Anghiari and Arezzo full of details and contrasting shadows and lights.
The time dedicated to demo or explanations will be limited, in order to provide more time for sketching and the one-on-one work with the participants, giving individual feedback.
A foldable leaflet will be given to each participant with explanations on the main topics of the workshop.
Learning goals
- Learn to sketch using just a simple tool like a pen.
- Learn how to draw line art directly, without any preparation or pencil sketch and how to measure and fit on a page the scene you are drawing.
- Learn to use different line widths to suggest depth of field.
- Learn to use hatching and cross hatching to draw shadows, adding depth to your sketches.
- Learn not to be afraid when you only have one chance to get it right (and no possibility to erase)
Event schedule (a few minor changes will be possible in case of bad weather or for organizational reason). A fully detailed schedule will be given by email to participants.
Participants
30 attendees maximum, 12 minimum. Any level of drawing experience is welcome.
Travel and Accommodation
You need to arrange your own travel, accommodation and meals, we will supply some suggestions and information for accommodation in local hotels or B&B.
Supply list
Blasco: I do not feel like recommending a specific technique. Participants are welcome to bring their favorite tools. I will work with graphite pencils, fine liners, watercolors, colored pencils.
Umberto: Very essential gear: your sketchbook and your favourite pens. Fountain pens or fine liners, with waterproof ink if you wish to add watercolours to your sketch after the workshop.
Anyway - for the free activities, out of the workshops - bring what you normally draw with.
We suggest you to bring a small foldable stool.
Registration fee
150€ (20% reduction for under 26).
Bus tickets, museum fees, lunch, dinner and other expenses are not included.
Registration and Cancellation policy:
All fees are refundable if cancelled up to June 1st, 2018. Bank charges will be deducted for the refund in the case of an attendee cancellation. If cancelled after June, 2nd, 2018 up to June, 21st, 2018, a cancellation fee of 50 euros will be retained.
No refund will be possible after June, 21st, 2018.
In the event of too few registrants, all money will be refunded.
Workshop location
The event will be based in Sansepolcro (AR) Tuscany, Italy. Workshops will take place in Anghiari and Arezzo, not far from Sansepolcro.
Info and registration: sansepolcroworkshop@gmail.com
About the instructors
Blasco Pisapia:
Born in Ariano Irpino, in Southern Italy, he graduates in Architecture at ‘Federico II’ University in Naples. As he moves to Milan, he begins to work as an illustrator and cartoon artist. Among others, he draws many books of Geronimo Stilton and creates the character of Bat Pat. Since 1997, he has been both writing and drawing Disney comics, which appear regularly on Italian ‘Topolino’ magazine and worldwide. He also published the graphic novel “Il Pastore della Meraviglia” and the children’s guide to the Egyptian Collection of MANN, the National Archeological Museum of Naples.
Umberto Torricelli:
Born in Milan, graduated in architecture at Politecnico of Milan, artist, illustrator, painter. He exhibited his works in several expositions in Italy and abroad. If you see somebody in Milan, sitting on a foldable stool, focused on drawing the city, it will very likely be him. He's a member of Urban Sketchers Milan chapter and Urban Sketcher Italy. In 2016 he published "Liberty. Taccuini Milanesi #1", a sketchbook about art nouveau architecture in his hometown. In his travel sketchbooks, he prefers architectural elements, or material objects of culture, because they have personality and a history behind them, and they’re able to communicate just as much as people. He mainly uses ink and watercolours in order to obtain an effect of immediacy, without any mediation.
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